Jekyll & Hyde Review: Gothic Musical at Theater West End in Sanford, Florida
Written by Jaimz Dillman
Theater West End’s production of Jekyll & Hyde, directed by Derek Critzer, brings a gothic atmosphere, dramatic costuming, live music, and some impressive vocals to its intimate Sanford stage. While this production had a few elements that didn’t fully come together for me, there is plenty to appreciate in this ambitious musical.
Critzer’s set and lighting designs make effective use of the theater’s ever-changing stage, creating an appropriately moody backdrop for the story. The film noir-inspired aesthetic and grayscale costuming added a fun visual dimension, with a particularly memorable reveal at the end of the first act. The staging frequently brought performers into and through the audience, creating an immersive theatrical experience, although the movement of the sizable cast occasionally became distracting and obstructed sightlines.
Vocally, the leads deliver some powerful moments. Jekyll (Jeremy Hudson) and Emma (Lillie Eliza Thomas) both demonstrate impressive range, with several big, showstopping notes that are sure to please fans of classic musical theater. I would have liked to see a stronger romantic connection between them, though, along with a more clearly defined contrast between Jekyll’s two identities.
Danvers (Mani Emmanuel) shares a convincing dynamic with costars, though the overall intensity of some of the ensemble performances sometimes leaves little room for quieter, more nuanced moments.
Aaliyah Amarante as Lucy makes a strong vocal impression as well. Her early scenes establish the character effectively, but I was left wanting a little more of the confidence and seductive allure that makes Lucy such a compelling figure in the story.
“Bring on the Men” is a natural opportunity for an empowering, exuberant production number. Here, the crowded staging and uneven ensemble choreography took away from some of its potential impact. A smaller, more streamlined group with a few featured dancers might have allowed the number’s playfulness and personality to shine through even more.
Live musical accompaniment is a welcome feature, bringing richness to Frank Wildhorn’s dramatic score. The sound balance was uneven at times, however, with the music occasionally overpowering supporting performers, particularly during quieter speaking moments.
Some of Kimberly Murray-Patel’s more contemporary costume choices and Nyasia Greenaway’s makeup design also felt less cohesive with the period-inspired atmosphere. A lot of local theater seems to be leaning into the gender-bending style that was on display here as well, and the mix of modern and vintage pieces was a bit puzzling.
Ultimately, this Jekyll & Hyde is an entertaining evening with strong vocal highlights and plenty of theatrical ambition. It may not be my favorite Theater West End production, but I always appreciate what TWE brings to the stage and its role in keeping live theater thriving in historic downtown Sanford.
I’m already looking forward to the packed season ahead. Supporting local theater is always worthwhile, and Theater West End continues to give Central Florida audiences plenty of reasons to make a night of it.
Get tickets soon, as the original dates are close to selling out and an extension has already been announced.
Show and Ticket Information
Jekyll & Hyde
Theater West End | Mainstage
October 2–25, 2026
115 W. 1st Street, Sanford, FL 32771
Tickets start at $36 for select performances, with most listed dates ranging from $50 to $60. Prices and availability vary.
